Small World, Musical Division

You never know what you're going to find when you go down a rabbit hole.

Each of the armed services has a different scheme for aircraft identification. They all use tail numbers. But they have two different ways of coming up with those numbers. The Army and Air Force use the same kind of scheme, where aircraft are identified by fiscal year, and then by sequence within the year.

If you look close at the tail, you'll see black letters "AF", then under those the number 67. This aircraft was procured in FY67, and was the 463rd aircraft procured that year.

The Navy doesn't do that.

If you look very carefully under the horizontal tail -- and I do mean carefully -- you'll see the number 165675. That, very simply, means this is the 165,675th aircraft the Navy has bought since 1940. It's a nice, straightforward system. The downside is that you can't tell by BuNo when an airplane was bought ... but that's a fairly minor quibble.

A couple of weeks ago, I found a web site where you can look up all of those Navy numbers. All of them. So, I got to thinking ... Could I find the TBF Avenger my Dad flew on in WWII? (Flew on, not flew -- he worked the ball turret.)

That list contains the disposition of each airframe, when known. And that first run of Avengers makes for mighty depressing reading. Those that didn't crash or ditch either fell off the catapult, or fell overboard, or were shot down, or just took off for a sortie one day and no one ever saw it again. It made you wonder how anyone survived a tour of duty in Naval Aviation, back in the day. But I did find out a few interesting tidbits that I hadn't known before. For one, air wings went from one ship to another with some frequency. Not all the time, mind you, but if one ship was laid up for repairs its air wing would embark upon an available ship. Which is how the USS Santee, CVE-29, was carrying Torpedo Squadron 26, that you'd ordinarily expect to be embarked upon CVE-26, USS Sangamon. The other discovery came when I stumbled upon a web site devoted to the former sailors aboard the Santee. What I found ... wasn't at all what I was expecting.

See that kid with the saxophone, kneeling on the right? You may have heard of him.

Yes, Tito Puente, the King of Latin Music himself, played with the ship's band when my Dad was in the Navy. And he never once mentioned this. I'm guessing it's because Latin Jazz wasn't his thing. I don't think it was racial. When Chappie James got his fourth star, he told us about how he'd been his crew chief in Korea. But anyway ... I just wish I'd have known sooner.



And that's the other thing I found out: Santana's "Oye Como Va" was a cover. Speaking of covers ...



Anyway, I never did find what I was looking for. But I've found a whole new area of music to enjoy, so it's all good.

RIP, Dave Brubeck

If your music collection doesn't include any jazz, it's incomplete. I get that it's not everyone's cup of tea, but it's one of the handful of genuinely American art forms. Modern American music, by any recognizable definition of the term, rests on a foundation that consists of country music, blues, and jazz. I bring this up because we lost one of the greats of jazz music this last week. Dave Brubeck passed away this last Wednesday at the age of 91. It's hard to overstate his impact on American music in the latter 20th Century.

I was about to say that the Dave Brubeck Quartet has finally been re-united in the hereafter, but that's not entirely correct. While it's true that Paul Desmond and Joe Morello have both passed on, Eugene Wright is still with us. It's worth mentioning that Brubeck cancelled several concerts, and even a television appearance, when stage managers of the late 1950s and early 1960s resisted the idea of an integrated quartet appearing together onstage.

To get some notion of how long a shadow he's cast, here's the Quartet performing Take Five in 1966:



And here's Al Jarreau performing Take Five in 1976:



And George Benson in 1986:



And Grover Washington, Jr. in 1992:



And Axis Mundi, in 2007:


Now to be fair, Paul Desmond wrote Take Five. And it was never intended as a stand-alone hit, it was meant to be a lead-in for a Joe Morello drum solo. (During which the other band members could, you know...) But fifty, nearly sixty years later, musicians still find it a rewarding piece to play, and audiences still love it.

The good news, insofar as there is any, is that his sons are carrying on the legacy.



That's Dan Brubeck on drums, and Chris Brubeck on saxophone, in the Brubeck Brothers Quartet. Performers come and go, but the show must go on.